InsilvisPlus is the magazine of Insilvis.
Thoughts, projects, concepts…
Day after day we communicate a way of looking at the art-design object, starting from our Italian production and culture.
Thinking of a piece of furniture as a small universe of formal energy, which the processes of seeing and touching place in relation to our emotional and psychic spheres and, finally, to our topological and cultural awareness.
Almost a concretion of space-time, designed to transmit positivity in its relationship with the target environment, while also performing a tangible function.
Presence in a private space is a consequence of evaluation and choice, which, we like to think, is only secondarily for economic reasons.
If anything, it is the attribution of a functional, aesthetic, perhaps even affective utility that the object exercises in present and future time, sometimes even in transgenerational dimensions.Such an intention suggests a stamp of essentiality, poetic as well as formal, which in some respects may allow the recognition of a minimalist direction.
Minimal forms oriented towards the contemporary, but rooted in a diachronic background that refers to the Italian cultural tradition.The research often leads to the language of symmetries and mathematical proportions that, by asking for the constituent patterns of our perceptual structures, allow the recognisability of beauty.